“Sad Girls” and “Not-So-Sad Girls” in CSA Fiction: Depictions of Victim-Survivors
On June 8th and 9th, 2026, the University College Dublin Humanities Institute hosted the “Bad Feelings: Sadness and Gender in Contemporary Culture” […]
Sharing About Our Research in the Netherlands: CSAReps Present at SCSMI 2026 in Amsterdam
Right after their inspiring presentation at the ISSN Conference in Denmark, CSAReps’ postdoctoral researchers, Victoria Pöhls and Dr. Giulia Scapin continued their […]
The Power of Narrative: CSAReps Present at the 41st ISSN Narrative Conference at the Aarhus University, Denmark
From June 4th to 6th, 2026, the global narrative community gathered at Aarhus University in Denmark for the long-anticipated 41st Narrative Conference […]
Shaping the Future of Literary Engagement: Shared Reading Workshop at the University of Basel
On May 21st and 22nd, 2025, the University of Basel in Switzerland hosted the “Shared Reading Workshop” – a striking event for […]
CSAReps’ April Fiction Club
Reflecting on “Monsters: The Lyle and Erik Menendez Story” On Wednesday, April 29th, 2026, the CSAReps team hosted its latest Fiction Club […]
Challenges in Health Humanities Research Workshop
CSAReps’ Principal Investigator, Dr Ailise Bulfin, and Postdoctoral Researcher, Dr Giulia Scapin, recently presented at the “Challenges in Health Humanities Research” workshop […]
Monk and Cat: A Shared Reading Session
CSAReps’ Postdoctoral Researcher, Dr Giulia Scapin, hosted a Shared Reading Session as a part of the “Bealtaine” event at University College Dublin […]
Join our focus group
Do depictions of child sexual abuse in fiction affect your work? We would like to understand how fictional depictions of child sexual […]
Reflections on EROL, Zagreb (1–2 September)
I had the pleasure of attending the Everyday Reading of Literature (EROL) conference at the University of Zagreb on the 1st and […]
Readers’ (dis)engagement with CSA fiction
Victoria Pöhls & Aleksandra Milenović present at Everyday Reading of Literature (EROL) in Zagreb. “I don’t know why that most horrible part […]